Hi, Twinklebum UK is the name of my production company. It's literally like the worst name
I could imagine for a production company so no doubt will hinder my ability to get work or
be taken credibly in any meaningful sense. Here is a picture of a legal aid lawyer pretending
to be an aeroplane:
Twinklebum is essentially myself and my dog Mango. I have made a few crappy things for
Channel 4 and have written some crap that went on a program on ITV. Have a look around
my website and see the sort of rubbish I make. I'm currently making an hour length documentary
for Channel 4's British Documentary Film Foundation called "A Stoner's Guide to North-West
London". Looking at the late-night suburbia, petrol-station shopping expeditions,
and waster days of North London bums and slackers, the film will explore how the landscape
of our youth shapes the rhythm of who we are. With a youth spent playing Mortal Kombat and
collecting McDonalds barbecue sauces in my car, I feel I am expertly placed to broach such
a subject. Here is a picture of an accountant pretending to be a cat around his wife's
apron strings:
Whilst having the ability to make "professional" looking stuff I am of the persuasion that
all that matters is spirit. You could have all the technology and resources in the world
and you could still make rubbish. (Turn on your telly or go to the cinema for evidence).
Ultimately, if you got passion and care about what you're doing it will translate -
whatever creative medium you set sail upon - whether it be writing, film-making, Connect Four or Guess Who.
DV techonolgy means any idiot can make films. This is a good thing.
Some would argue that a disregard for gloss
and "professionalism" is limiting oneself - that you're hamstringing your ability to be
picked up by broadcasters and other distribution networks. I would argue that it's
liberating, and that those
who argue the former - (I would argue) - on some level - are little bitch-monkeys.
Fuck the professionals. Fuck the career monkeys. Fuck the commission junkies.
Everyone's gotta pay the rent, but who wants to live in a Borstal of Prostitution?
Film should be about passion. The birth of a technology that people can
intergrate fluently into their lives means a passion for film-making can be readily
pursued. It allows for pure, unmitigated contact between you and your finished film.
The next Scorcese will come from someone's bedroom, not a film school. If your motivation
is not to follow the rhythms of your own heart then the beat you
follow is confused. Find your own rhythm and syntax. DV technology means film can be as spontaneous as scribbling down
notes on a parking ticket
found on the dashboard of your car. I can shoot in the morning, edit in the afternoon and
have a film in the evening. Here is a picture of a frightened accountant being bullied by
another accountant called Craig:
This is the energy I strive to put in my stuff. DV technology means that any idiot can
make stuff. This is the aesthetic I adhere to and I will champion and support
anyone that embraces their craft with a heartfelt fucking GO FOR IT. You don't need
technology and you don't need money and resources to make something that matters. If a
caveman can make something lasting on the wall of his home using only a pebble - then
there's no excuse in the digital age. Fuck all the cynics and pig-monkeys who'll tell you
otherwise. The only thing that matters is the act itself. Anything else that follows
is just gravy. As a symbolic gesture of gravy here is a picture of a cake with aspirin
in it. Although it is not actually like gravy, it is a picture of food, and therefore
the closest picture I have that can relate to gravy. Enjoy my website:

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